“Green is the Blush of Memory” is a abbreviate aggregate of 34 balladry by Huzaifa Pandit arise by Hawakal Prokshana beneath the advocacy of Rhythm Divine Poets, an affiliation of balladry aficionados based in Kolkatta. Huzaifa’s balladry accumulating was in actuality called by Rhythm Divine Poets as the champ of their 2017 Balladry Chapbook Contest. The title, Huzaifa himself confesses, is a band adopted from Randhir Khare’s eponymous composition and it anon draws attention. Green and Anamnesis are the two keywords here. While it is appetizing to crop to the deceptively simple association of these two words and by addendum apprehend Huzaifa’s balladry in the aforementioned vein- balladry of homesickness and reminiscences- but that would aloof be a semantic burlesque as able-bodied as a syntactic tragedy because neither Anamnesis nor Green is aboveboard in Huzaifa’s Poetry. Let us aboriginal accede the “Memory’ allotment of it.
Huzaifa’s balladry steeps itself overwhelmingly in memory. His balladry appears to be his average to reengage with memories and to accost them; sample these:
I will ask the comatose cobbler to stitch
the skeleton of my composition with accoutrement of my memory
(AT A SEMINAR ON AGHA SHAHID ALI )
Here I am an old man
Waiting for the balmy day to sink
At the decayed gates of the old cemetery crafted in my memory.
The balladry in this accumulating are abounding with such captivation with memories or as Huzaifa himself puts it, with, ‘Vomiting of Memory.’ But this ‘Memory’ is not a simple case of homesickness or bitter-sweet reminiscences of times ancient or alike a complete reconsideration of one’s accomplished but the anamnesis actuality is rather a circuitous construct. The anamnesis of Huzaifa is a brain-teaser that he himself is aggravating to break and balladry is his average for alive out a solution:
Stay puzzled a while-
I will multiply
reality by fantasy divide it in time and space.
Bear with me a while
I will anon barf memory.
(AT THE MENTAL HOSPITAL SRINAGAR)
And an attack at band-aid of this addle brings us to the additional keyword- GREEN. The Green we arise beyond in these balladry is absolutely not the archetypal Green of backbiting or jealousy. It rather is Green as in raw, fresh: an unhealed wound. And back one considers how Green has become an objective-correlative of a audible Historico-political basement in Kashmir, Huzaifa’s Green metamorphoses into a mythologized metaphor. Nothing explains it bigger than these lines:
Time, it whispers, was crucified
when aperture were sealed in three colours
and the nation collided with its destiny.
(AFTERNOON AT GOLAY HALL)
Although Huzaifa does accede the added hues of his Memory- Yellow, Grey or Red (as he credibility out in the composition Sketches from Memory)- it is the ‘Green Memory’ that predominates his poetry. And he understands this helplessness of his adjoin such askew of his memory:
What would I scheme
when the antsy ash of an ill spent decade
rebels adjoin the alveolate artisan who writes
with broken twigs on broiled clay?
(THE MAD BOOK THIEF)
But there is no escape from this helplessness; from this Green Memory. There is no Azaadi: because in a bizarre abracadabra of time and affairs the Anamnesis of Huzaifa has become Anamnesis of Kashmir and carnality versa:
We deathwatch to midnight news:
Every dreamer shall abruptly be advised a accompaniment enemy.
A anamnesis of a raw, painful, unhealed history that is able actively accustomed on the streets. How can one escape from a history that is again everyday?! What abroad can again a artisan address but this:
We wrote back
An ember breeds in our affiliated mouths
when algid account casualty on a burst memory.
We wrote that this blaze additionally feeds on our caned bones.
(LETTERS TO AZAADI)
Often, on algid chapped midnights the banderole of your anamnesis unfurls on the mast of annoying death.
The doctor says agitation ache from reminiscences.
(DREAMS AT MIDNIGHT)
The acrimony arising from such helplessness does not advance Huzaifa to an abuse or aerial dramatics, it rather infuses into his balladry as atramentous humor; it sharpens his verses into bitter banter and adverse irony
Now advancing to the all-embracing appearance Of Huzaifa’s poetry, Nabina Das in her admirable addition to these balladry credibility it out so succinctly, “The accent in this book is startling, and the affections delicate. Like Shahid Ali, Huzaifa’s axial appearance is ghazalesque, although he writes chargeless ballad deftly.” Per se there are alone two balladry in this collection, ‘A GHAZAL FOR ZAHID’ and ‘BUHU SINGS AN ELEGY FOR KASHMIR’ which advance an apparent anatomy of a Ghazal(to some extent) but ironically these two balladry are the atomic ghazelesque of all the balladry in this collection. Not because structurally they advance no kaafiya but alone radeef (English Ghazals accept by and ample done abroad with behr) and they accept no Matla or Maqta able but added chiefly they are boilerplate abreast that self-gazing, invocative articulation that Huzaifa so finer uses in the blow of ‘free-verse, non-ghazal’ poems. The articulation that is so beautifully on affectation in balladry like GETTING LOST IN PUNE or in ‘TESTIMONY IN FEBRUARY’. In such balladry Huzaifa the artisan separates himself from Huzaifa the accountable of his balladry (and athenaeum of his Green Memories) and gazes aloft the closing with such anguish and anxious as the Ghazal Masters of yore did vis a vis their beloveds. And this is absolutely what renders such balladry with an air of ghazelesque. Whenever and wherever such instances arise the balladry of Huzaifa Pandit invests itself with an adorned adroitness of a able and attenuate artisan although it charge be said that at times the verses do arise crumbling beneath the afflict of the emotions-meanings they are aggravating to carry. Such a blemish is predominantly an aftereffect of the abstemiousness that Huzaifa so precociously tries to maintain.
All in all, “Green is the Blush of Memory’ is a affiance that Huzaifa Pandit makes with his readers and if the affiance is kept Kashmir has a articulation to attending advanced to.
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